Glossary

Describes the image resolution with 2048 x 1080 pixels with 24 or 48 frames per second.

Describes the image resolution with 4096 x 2160 pixels with 24 frames per second.

A 4K license is a software that is loaded onto the cinema server, therefore the playback of 4K DCPs in full resolution is possible.

From zero to gigantic in 5 minutes? No problem with the original inflatable screens from the market leader AIRSCREEN®. Thanks to their lightweight and flexibility, almost every location becomes a movie theater in no time at all - whether front garden or meadow, beach bar or lakeshore, fairground or sensitive old town area. As a low-cost alternative to elaborate scaffolding constructions, AIRSCREEN® is the professional all-rounder for all kinds of movie, television, music, and promotion events.

And this is how it works:
From the technical point of view, AIRSCREEN® is an inflatable frame made of a PVC tissue which is especially coated and high-frequency welded, into which a projection screen is tightly stretched. Folded in a space-saving manner, it fits on a euro-pallet and is erected by a particularly low-noise high-capacity fan to form a gigantic projection screen within a few minutes.

And this fan also ensures the permanent internal stability of the construction by regulating the pressure fluctuation in a fully automated way. The external stability is ensured by a system of tensioning ropes, anchors, and counterweights. This guarantees the safe and reliable operation of these technically inspected and certified systems with wind speeds of up to Beaufort 5 and even for several weeks without any problems. Depending on the size, the erection of an entire AIRSCREEN® system takes about an hour, its dismantling less than 30 minutes.

BIG cinema is the official "rental, sales and support" base of The AIRSCREEN® Company and partner of the international AIRSCREEN® network. That means we supply all sizes and formats from the AIRSCREEN® range and the related original accessories, which can be ordered from any place in the world. Being a professional partner, we support our customers in choosing the appropriate equipment, offer product demonstrations, and instruct them in the professional handling of the systems.

The following sizes are available:
6 x 3,4 metres, 8 x 4 metres, 10 x 5 metres, 12 x 6 metres, 14 x 7 metres, 16 x 8 metres, 20 x 10 metres, 24 x 12 metres, 27 x 13,5 metres

Anchor plate with eight holes are for AIRSCREENs on grass and sand. We are using ground nails with 100cm. There is a structural engineering calculation for the plates.

    

Lumen is a physical unit for the light flux. Translated from Latin it means light or lamp. For the specific indication of the luminous flux of projectors the unity ANSI lumen is common. ANSI is used to prove that a projector is tested according to the standards of the American National Standards Institute. ANSI withdrew the standard, but in fact the identical standards of the International Electrotechnical Commission (IEC) and the DIN EN 61947-1 still exist.

The Audipack Silent 9300 acoustic booth is the ideal solution for indoor movie events, which do not feature a separate projection room and where the projection equipment needs to be integrated into the audience section. Thanks to a sound insulation capacity of 25 dB, annoying operating noise is held off the audience.

 

- Acoustic booth for projection equipment
- Door and window made of safety glass
- Modular
- Easy and swift assembly and disassembly
- Completely demountable
- Integrated cable ducts
- Full air condition with air flow noise reduction
- Silencing 25 dB (A) pursuant to DIN and ISO
- Dimensions: 2m (L), 1.7m (W), 1.97m (H)

VARIO 64 by AV Stumpfl® is a flexible, variably used modular building block frame system, to which projection screens of different sizes are mounted. A special aluminum alloy makes the frame system very stable and light-weight at the same time. The systems are transported in a compact way, easy to mount and can be extended to screen widths of up to 25 meters thanks to the matching integral parts and central supports. The matching projection screens (front and rear) are attached with snap fasteners to the frame and are available in standard formats (Video 4:3 / HDTV 16:9) as well as various special formats (e.g. cinemascope 2.35:1) in different sizes.

Standard sizes available:

6,00 m x 4,50 m (assembly instruction)
6,50 m x 3,70 m (assembly instruction)
8,00 m x 6,00 m (assembly instruction)
9,00 m x 5,00 m (assembly instruction)
12,0 m x 5,15 m (assembly instruction)
14,0 m x 6,00 m (assembly instruction)

Further sizes available on request.

The Audipack Silent 9300 acoustic booth is the ideal solution for indoor movie events, which do not feature a separate projection room and where the projection equipment needs to be integrated into the audience section. Thanks to a sound insulation capacity of 25 dB, annoying operating noise is held off the audience.

 

- Acoustic booth for projection equipment
- Door and window made of safety glass
- Modular
- Easy and swift assembly and disassembly
- Completely demountable
- Integrated cable ducts
- Full air condition with air flow noise reduction
- Silencing 25 dB (A) pursuant to DIN and ISO
- Dimensions: 2m (L), 1.7m (W), 1.97m (H)

AIRSCREEN® screen tie, 28cm, black

ImagePRO-II is an advanced high performance all-in-one video scaler, scan converter, switcher and transcoder converting any input signal format to any output format. ImagePRO-II supports Universal Analog, DVI single and dual link, HDMI, DisplayPort and SD/HD/3G SDI signal formats. Loop-through outputs are provided for the Analog, DVI and SDI input and genlock signals. With features like HDCP and EDID management, USB back up and restore, multiple video effects and web page interface, ImagePRO-II is the most advanced and flexible signal processor in the industry.

Inputs/outputs

- Dual-link DVI/HDCP I/O
- 3Gbit HDSDI I/O
- HDMI/HDCP I/O
- DisplayPort/HDCP I/O
- Universal analog I/O
- Loop-through on DVI, SDI & analog inputs

User interface

- ImagePRO-3G front panel control
- Web browser & tablet remote control
- Encore suite of controllers
- LED setup and configuration

Processing

- 12-bit processing
- Resolution up to WQXGA (2560x1600)
- Frame rate up to 120 Hz for 1080p
- System configuration and restore via USB

Build your SDI studio with the most advanced converters! Only Mini Converters include auto SD/HD switching, redundant input, AES/EBU and analog audio on standard 1/4 inch jack connections, combined with advanced 3 Gb/s SDI technology. There are now 14 great models to choose from. Choose from models with analog, HDMI, audio, optical fiber, up, down, cross conversion, sync generation, and a new Heavy Duty shell!

High Quality SDI

Mini Converters are built to the highest quality standards with low SDI jitter. You get the longest SDI cable lengths combined with ultra low noise analog video and audio for a true broadcast quality solution. You also get the latest broadcast technology such as re-clocking and 3 Gb/s SDI. Mini Converters feature a unique redundant input for mission critical tasks. Connect a redundant cable to the second input, and if the main SDI input is lost, Mini Converters will automatically switch over in an instant. A loop-through SDI output is also provided for connecting to other devices.

AES/EBU and Analog Audio

Most Mini Converters feature 24 bit analog and 24 bit digital audio and HDMI models support HDMI audio. Unlike other converters you don't need custom audio cables and the standard 1/4 inch audio jacks switch between balanced analog audio or AES/EBU digital audio.

New 3 Gb/s SDI Technology

With the latest 3 Gb/s SDI technology built into Mini Converters you get modern broadcast technology that's future proof. Upgrades can be loaded via the USB connection for future video format compatibility. Auto Switching SD and HD Mini Converters instantly switch between all SD and HD video formats whenever the video input changes. A huge range of standards are supported including NTSC, PAL, 1080i/59.94, 1080i/50, 1080PsF/23.98, 720p/59.94, 720p/50 and new formats can be added via USB.

Redundant SDI Input

Mini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors. A loop though SDI output is also provided for connecting to other devices. A loop-thru SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-thru to another Mini Converter to de-embedd extra audio channels!

Hardware Down Converter

If you connect to analog SD equipment then you'll know how hard it is when modern SDI equipment unexpectedly changes between SD and HD. Mini Converter SDI to Analog includes an automatic high quality down converter that supports letterbox, anamorphic 16:9 and center cut 4:3.

International Power Supply

Unlike other converters, a high quality low noise universal power supply is included with international socket adapters for all countries. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight and secure!

Easy to Change Settings

With Blackmagic Design's Mini Converters, it's as simple as using a pen to change settings. Settings vary between models, and include settings such as AES/EBU or analog audio, analog video connections, and more. All Mini Converters are similar, so they're super easy to understand and use. With advanced 3 Gb/s SDI technology, every Mini Converter is fully compatible with your SD and HD equipment, and can be updated via USB. Use our Converter Utility to make adjustments right from your laptop.

The incredible ATEM 2 M/E Broadcast Panel has the power for the most complex live broadcast events and it's perfect when you have the space for a large panel and need all the control at your fingertips. The ATEM 2 M/E Broadcast Panel features an amazing design that not only looks incredible, but perfectly positions all controls just where you need them for the ultimate creativity on complex multi layer live production. The ATEM 2 M/E Broadcast Panel connects via ethernet and includes loop thru for your media management computer.

BÜTEC is a manufacturer and supplier of professional event technology. BÜTEC platforms are marketable security stage risers and a proven technique for the temporary installation of mobile cinema technology indoor and outdoor. The flame-resistant aluminum construction with a wood paneling allows multifunctional applications.

Flat concrete weights are used to weigh down AIRSCEEN® projection screens. These weights are especially used for screens with a width of 16m and more. With this type of weight, the quality of the ground is irrelevant, as no anchors have to be driven into the soil. An additional advantage is the quick employment. The weights just need to be set down at their final position and are ready to go.

The company Christie Digital Systems, Inc. is a manufacturer of projection equipment based in canada. Main business segment is the production of digital equipment on LCD and DLP basis. In digital cinema they are global leader. The germany office is in Mönchengladbach.

The Christie Cine-IPM 2K is the preferred choice for post-production and cinemas the world over, bringing the latest alternative content to the big screen. Using a comprehensive 10-bit image processing package, the Cine-IPM 2K takes control of the incoming signal and will display any standard output format regardless of the source. The Cine-IPM 2K accurately displays non-cinema or alternative content such as broadcast television, satellite, business presentations and HDTV sources. The Christie Cine-IPM 2K offers image scaling, image processing and reformatting. It handles both standard and HD sources and integrates easily for use with any CP Series projector. Additional input modules are available to accommodate virtually any digital or analog source.

 

Features:

- RGBHV/YPbPr: 5-BNC
- DVI-I: digital/analogue
- 1 composite, 1 S-video
- Formats virtually any incoming video source for proper display on any CP Series
- Laptop for use via Christie Net (browser based)

The media block is an important part of a digital cinema system.The media block decrypts and decodes the feature-film (Hollywood) content and delivers it to the projector in a useable format. Media blocks also manage the Key Delivery Messages (KDMs) – the decryption keys used to unlock the feature-film content at show time.

What makes a great media block?
Here are the features to look for in a media block:

Future-proofed – There will be more High Frame Rate (HFR) and 4K content produced in the future. You want a media block that can handle the bandwidth requirements of these new formats.
Reliability – A media block – especially an integrated media block – should work seamlessly with the digital cinema projector. You need to consider the reliability of your total digital cinema system, not only the projector or media block’s reliability.
DCI compliance – Your media block should be DCI compliant for all content formats and resolutions.
Backed by the right company – Choose a media block vendor that is committed to supporting digital cinema now, and in the future, even after all the digital conversions are done.

NAS stands for Network Attached Storage. This easy-to-manage file servers allow the provision of independent storage capacity in a computer network without great effort. Within the cinema industry NAS is used as a film data storage.

Christie® Twist™ is a powerful and easy-to-use tool to manage complex arrayed projectors that allows users to expertly create seamless images on flat, curved or cylindrical surfaces. Christie Twist is a dedicated, purpose-built hardware and software solution that enables full image warping and advanced edge-blending through the control of a powerful and easy-to-use Graphic User Interface. By manipulating geometry and blending, this powerful tool allows pixels to be mapped to virtually any projection surface with proper geometry and perfect pixel-to-pixel alignment. Designed with end-user applications in mind, Christie Twist provides the ability to expertly edge-blend multiple curved images seamlessly, on all four sides, for up to 6 projectors. Users can precisely control multiple edge-blended images seamlessly and warp displays to virtually any projection surface – flat, curved or spherical screens. The internal hardware module is integrated into the 10-bit image processing module. Once the warping and blending grids are set for multiple projectors, the properties are stored on the projectors and on the external PC. Multiple blend and warp properties can be stored on the projectors – providing easy access and immediate recall of settings (text on http://www.christiedigital.com). It is mostly used within Projection Mapping.

The Christie® Boxer 4K30 is a 3DLP® projector with a light output of 30.000 lumen and a 4K resolution. It has been developed for impressive live events. The smart design makes it THE projector for high-end professional use.

Features

• Christie® TruLife™ processing ensures stunning color reproduction and image quality
• Mercury lamps with a life span of 1.500 hours at a brightness of 70% - more than double the life of Xenon illumination
• Omnidirectional deployment capabilities
• Built-in warp and blend functionality
• Preview screen for at-a-glance status updates
• Integrated near field communication (NFC) for lamp information tracking
• Weight of only 72.6kg

The cintel scanner is an all-in-one solution for film scanning and color correcting in real-time. It is equipped with high precision mechanical parts for the handling of the film, high-end optics, a diffuse high-intensity light emitter and an internal camera. Furthermore, it includes a film gate for 35mm film, film reels and four cleaning rollers. Of course, this high-end hardware would not be complete without a powerful software in the form of th DaVinci Resolve Studio Software which facilitates the transfer of the digitalized content and offers numerous editing options. This potent package can be supplemented with an extremely fast SSD-RAID, a 10-gigabit Ethernet SFP+ network and a Thunderbolt 2 interface.

    

The CP2000-XB is the one of the most powerfull D-Cinema projector with 30.000 lumen. Through his smart design it's possible to integrate him in nearly every projection room. This performance category provides clear pictures with perfect color saturation. 3D screenings can be projected down-the-line on a screen up to 20 metres, too.

Features:

- Screen Size Up to 100ft (30m)
- seperate projector and power supply
- up to 7kW lamp wattage (controlable)
- self-aligned lamp
- control via local touch or network-based (wireless)
- transport with all accessories in three cases (2 europallets)

The Christie® CP2215 is the most compact digital cinema projector in the world and the projector of choice for the world's leading post production facilities and exhibitors where booth space is at a premium. Coming from a heritage in cinema, we know what it takes to keep production and installation schedules on track. The reliability of our solutions mean that in the most critical situations, you can depend on Christie. As part of the Christie SolariaTM Series of digital cinema projectors, the Christie CP2215 is based on Texas Instruments' Series 2 DLP Cinema® technology and is compliant with the Digital Cinema Initiatives (DCI) specification.

Based on 0.98" DLP Cinema technology, the Christie CP2250 uses high efficiency, long lasting CDXL-SD series Xenon lamps as well as the CDXL-14M, a lamp designed for long life and low power consumption. The competition requires higher wattage lamps for the same light output, giving Christie clear advantage on cost of ownership and lumens per watt.

A robust and reliable addition, the Christie CP2215 features a motorized lensing solution and a selection of eight zoom lenses to guarantee the right lens solution for virtually any auditorium with absolutely no need for resizing or scaling. It is the projector of choice for small screens and post production applications that demand performance and reliability in a small, affordable package.

  

Features:

- Screen Size Up to 45ft (15m)
- Brightness ~12,000 lumens
- DLP® Technology 0.98" 2K 3-chip DMD DLP Cinema chip
- Resolution 2048 x 1080 2K
- Contrast >2000:1
- Lamp 1.4kW (CXL-14M), 1.8kW (CDXL-18SD), 2.0kW (CDXL-20SD)
- Height 15" (395 mm)
- Width 26" (665 mm)
- Depth 27" (687 mm)
- Weight 96lb (55kg)

The Christie® CP2230 is the brightest digital cinema projector available and is ideally suited for large screen theaters, post-production houses, multi-media theatrical productions and the most demanding 3D installations. With a unique optics design and superior image processing, the Christie CP2230 delivers crisp, clean images with perfect color saturation and spectacular video. As part of the Christie SolariaTM Series, the Christie CP2230 is based on Texas Instruments' Series 2 DLP Cinema® technology and is compliant with the Digital Cinema Initiatives (DCI) specification.

Setting new standards with Brilliant3DTM technology, the Christie CP2230 features unique optics and superior image processing for crisp, clean images with perfect color saturation and spectacular moving pictures. At over 32,000 lumens, the Christie CP2230 is our brightest digital cinema projector for screens nearly 100 feet wide.With its split body design, the Christie CP2230 can be installed on a variety of rack stands and universal pedestals allowing an easy fit even in the most difficult environments.

In addition, the 7kW remote power supply can be configured to allow it to be placed up to 30 meters from the projector allowing ultimate flexibility.

Features:

- Screen Size Up to 100ft (30.48m)
- Brightness ~33,000 lumens
- DLP® Technology 1.2" 2K 3-chip DMD DLP Cinema chip
- Resolution 2048 x 1080 2K, upgradable to 4096 x 2160 4K
- Contrast >2100:1
- Lamp CDXL-20, CDXL-30, CDXL-45, CDXL-60
- Height 19" (483 mm)
- Width 25" (635 mm)
- Depth 47" (1194 mm)
- Weight 245lb (111 kg)

Designed to be compliant with the Digital Cinema Initiatives (DCI) specification, the new Christie CP4200 platform is the only superior 4K DLP® solution providing the world's most brilliant 3D images, the highest level of content security, and the easiest adaptability, operation and maintenance. Built on our extensive experience with more digital cinema projection solutions deployed worldwide than any other manufacturer, Christie's 4K solution incorporates the proven design concepts of the best selling Christie CP2000 platform. The newest projectors provide the most robust and cost-effective 4K DLP Cinema® solution available today.

Features:

- Screen Size Up to 105ft (32m)
- Brightness ~34,000 lumens
- DLP® Technology 1.4" Enhanced 4K 3-chip DMD DLP Cinema chip
- Resolution 4096 x 2160 pixels
- Contrast ~2,100:1 full field on/off
- Lamp CDXL-20, CDXL-30, CDXL-45, CDXL-60
- Height 19" (483 mm)
- Width 25.6" (650 mm)
- Depth 53.9" (1,369 mm)
- Weight As installed: 245lb max (111 kg)

A CRU Carrier is a frame or an encasement made of solid metal for special disk formats (e.g. DCP). The CRU Carriers are pushed directly into the caddy tray of a cinema server in order to transport data of the corresponding movie.

Dataton WATCHOUT™ multi-display production and playback system lets you orchestrate stills, animations, graphics, video, sound and live feeds in a single impressive show across multiple display areas, soft-edge or scattered. WATCHOUT™ is fully scalable, software-based and requires no proprietary hardware. Check out Success Stories below for real-life applications.

The DCI defines technical, qualitative, logistic and legally aspects for digital cinema. It is also called "standard for D-Cinema". This includes quality aspects of projection, data rate, resolution, subtitles, copy protection, sound formats, color spaces and methods. The DCI is a holding organization of american film studios.

A digital cinema package (DCP) is the standard format for digital cinema also called "D-Cinema". It includes a collection of pictures, sound and subtitles which are summarized in one file. It's just possible to play the file on a digital cinema server.

Film reels and motion-picture projectors have left their mark on more than one hundred years of cinema history. Cinema of the future will be digital though. And digital cinema has become present long ago.

With regard to media technology, the term D-cinema stands for the changeover of storage and playback procedures for images from photochemical and mechanical to digital and is comparable to the development in photography and music. This has not been a sudden changeover though, because, strictly speaking, digital intermediate stages have been part of the filmmakers' practice for a long time: The film material is repeatedly digitized by means of film scanners to perform essential steps in post-production like film editing, color balancing, or visual effects, and then again printed on 35mm film. Until a couple of years ago, the end product was delivered to cinemas exclusively on 35mm film copies and shown on screen by means of the appropriate motion-picture projectors.

By implementing increasingly digital recording technologies on the one hand and digital playback technologies on the other hand, the laborious and lossy recoding processes of analog and digital material have disappeared. This does not only make the workflow in production and distribution more efficient, but a considerably better and, most notably, wear-free image and sound quality is achieved and lastingly ensured. In a wider sense, the term D-cinema thus comprises the digitalization of the entire value-added chain, starting with recording through post-production, mastering, packaging, and encryption to distribution and showing at the movie theaters.

In the meantime, films are usually produced in an entirely digital manner and also increasingly distributed in digital form, while more and more cinemas upgrade their playback facilities with or even switch entirely to D-cinema equipment - mainly because they were otherwise not be able to show 3-D movies like "Avatar".

Mobile cinema has gone digital a long time ago: BIG cinema was one of the first event service providers in Europe to offer the distribution of D-cinema equipment in addition to professional 35mm technology. Our wealth of experience and know-how of how to handle D-cinema are accordingly large.

The 3D module of XpanD receives the incoming signal from the projector, converts it to a private synchronisation signal and sends the result to the IR emitter of. A 3D image is thus available with the appropriate 3D glasses.

Di-VentiX IITM by Analog Way is a Multi Layer Mixer Scaler Seamless Switcher with Universal Analog and Digital input/output and Full High Resolution Digital Processing. It offers numerous Live effects including Keying and Moving PiP as well as 3 different operation modes: Multi Layer Mixer, Stand alone Embedded Edge Blending and 8 by 2 Seamless Sync Matrix.

DVX8044 at a glance:

- 4 Live Layers
- Video Output option in order to monitor the Program/Preview at the same time
- 3 modes: Seamless Mixer, 8x2 Seamless Matrix or Edge Blending
- Full Digital In/Out Processing
- Very powerful and easy-to-use Soft Edge

8 Inputs among 16 plugs

- 4 x DVI-I
- 4 x 3G/HD/SD-SDI
- 4 x UniversaI Analog (Computer formats up to 2K)
- 4 x Universal Video (SDTV, EDTV, HDTV) Outputs
- 2 Analog and Digital Outputs: Main & Preview
- HDTV and Computer Formats up to 2K
- RGBHV, DVI-I and 3G/HD/SD-SDI
- Optional Video Output: SD/HD-TV Analog and Digital

Operation Modes & Effects

- 3 Operation Modes: Mixer, Sync Matrix and Edge Blending
- 4 Live Layers
- 8 Full Frames, 8 Logo Memories
- Luma/Chroma Key/DSK16/9, 4/3, special sized and cropped output
- Pan & zoom resizing up to 1000%
- Cut, Dissolve (Fade), Slide, Transparency
- Moving PIPs
- PIP Border (Edge: 1 color, 1 width, 1 height)

The Dolby CP750 Kinoton Processor is the centrepiece within the cinema sound processing. The processor has various inputs, such as 4x AES (DCI server), SPDIF (Bluray, DVD), RCA (CD, MP3 player) and processes several sound standards. The device is controlled remotely via network.

Cinema sound systems have to be upgraded with digital inputs and alternative audio decoders due to new formats like Digital Cinema. The Dolby DMA8Plus Digital Media Adapter decodes the sound of digital sources like server, hard drives, tape playback systems or satellite and cable connections and leads it to the analogue inputs of the available Dolby cinema processor. Apart from the decoding of digital sound formats (e.g. Dolby E), it secures the synchronicity of picture and sound.

  

The Dolby DP571 encodes multichannel audio into the Dolby E format for contribution and distribution through the conventional two-channel infrastructures of DTV and HDTV facilities.

User-selectable:

- 5.1; 3 × 2; 5.1 + 1 + 1; 6 × 1; 5.1 + 2; 8 × 1; 4 × 2;
- 48 kHz
- 29.97 fps (NTSC), 25 fps (PAL), 23.98, 24, 30 fps (requires DP579 Dolby E Tri-Level Sync Interface)
- 20 Hz to 20 kHz, ±0.25 dB<0.01% at 1 kHz, <0.02%, 20 Hz to 20 kHz
- Dynamic Range >110 dB
- Encoding: fixed, one video frame PCM delay channel: fixed, one video frame 90–264 VAC, 50–60 Hz, auto-sensing, 15 W maximum; unit is designed to operate from a centrally switched power source

Doremi Asset Manager software transfers popular video file formats via Ethernet to Doremi's V1 line of HD video servers and Nugget playback devices. DoremiAM simplifies the selection and Ethernet transfer of video files such as QuickTime, MXF, AVI, and WMV to the V1 server's internal storage. The operator simply adds the desired files and image sequences to DoremiAM's clip database and the software will transparently handle the synchronization and transfer of content to the V1. DoremiAM can connect to all the Nuggets and V1 servers on the network and automate file transfers to each individual server. Besides file transfers, DoremiAM provides transport controls such as shuttle, play and record. The operator can also use the software to create clips and playlists. DoremiAM is available for Windows XP, and MAC OSX operating systems, and will support all V1 uncompressed and JPEG2000 decks (V1-UHD, V1-UHD/LE, V1-HD) and Nuggets.

- The Doremi Final Cut Pro Asset Manager Plug-In works on Mac OS-X and allow users to create files directly from Final Cut Pro that are compatible with Doremi's product line (V1HD-2K, V1-UHD, V1UHD-LE and NuggetPro). The Doremi Asset Manager Final Cut Pro Plug-in allow users to export directly from to the FCP timeline to the Asset Manager Database.
- Plug and play digital transfer of media files
- Compatible with most file formats
- Audio dubbing
- Automated Ethernet transfer
- Transport controls
- 3D merging
- HD, 2K, 4K and 3D support

The DCP-2000 cinema serverprovides superior reliability, image quality and an unmatched feature set. Each DCP-2000 reflects Doremi's eleven years of image server design and manufacturing experience, and the benefits of supporting the world's largest cinema server installation. The DCP-2000 supports JPEG2000and MPEG2 files. In addition it features REAL D, XpanD and dual-projector 3D playback, external control of captioning devices and4K resolution playback. Each DCP-2000 server includes the CineLister software utility that provides effortless scheduling and playlist administration. Playlists can include both JPEG2000 and MPEG2movie files, and pre-show content files. The DCP-2000 was one of the first commercially available servers capable of playing JPEG2000 digital movies. Today, it is by far the most installed cinema server with over 5800 units worldwide.

The Doremi IMS1000 is a state-of-the art, DCI compliant integrated media server that manages and delivers digital cinema experiences with efficiency and flexibility. It includes digital storage, server capabilities and a secured DCI image media block in a compact form that enables it to fit inside DLP® projectors. The IMS is controlled by ethernet interface using web based version of Cinelister, TMS2000 or third party TMS supporting Doremi servers. DCP ingest can be done through USB, eSATA, or ethernet. The IMS1000 supports highest jpeg2000 decoding capabilities, including 4K and 3D HFR (High Frame Rate) and accepts alternative content including 4K HDMI® inputs, dual 3G SDI and Live stream.

The Nugget PRO is the affordable solution for high definition video playback. Its superior resolution HD video is the perfect match for the new generation of projector, LCD and plasma display technologies that feature native resolution far superior to standard definition. The Nugget PRO plays SD and HD MPEG2 4:2:2 and 4:2:0 files up to 80 Mb/second. Transfer video files to the Nugget PRO's internal drive via Gigabit Ethernet. Video clips can be played in their native resolution or converted to any supported output format. Control via serial RS-422 or Ethernet. DoremiAM software is provided for effortless video clip and play list administration. The Nugget PRO can also play back video from a stored playlist for stand alone operation.

Doremi's new ShowVault is a dedicated storage server capable of playing JPEG2000 digital movies that conform to DCI specifications. ShowVault was specifically developed to interface with Doremi's IMB (Integrated Media Block) which is available inside Series 2 DLP projectors making 2K & 4K playback possible. The ShowVault has all the same features and functionality as Doremi's existing DCP series cinema servers and is available in two chassis configurations depending on user requirements. ShowVault loads digital content from a networked central server via Ethernet or USB 2.0. It dispenses files electronically to the IMB via an external PCI Express cable. Using Doremi's pre-loaded CineLister software, ShowVault allows theater operators to easily program the entire movie schedule including on-screen advertising, trailers, features and announcements.

The IMB (Integrated Media Block) utilizes Doremi's patent pending 4K media block technology. With the IMB installed in a DLP Series-II 4K-ready projector along with Doremi's external ShowVaultTM, customers can now choose the most future-proof digital projection solution in the industry. If the customer elects to project in 2K, the integrated media block keeps content secure by moving the digital video decryption from outside of the projector to inside the projector.

The V1-UHD high definition video disk recorder offers uncompressed 8 or 10 bit recording and playback in a compact stand alone package. Record and playback uncompressed SD or HD video for applications where the image quality cannot be compromised.

The DVS flagship enables you to perform all the steps in a DI workflow on one system - steps that would otherwise need to be distributed over several products. This is why we call CLIPSTER® "the heart of your DI". This workstation provides online editing of film data, conversion to various output formats, color correction and even film restoration. CLIPSTER® can handle any level of resolution - SD, HD, 2K and 4K. Even demanding visual effects may be used without causing delays in your workflow, since the majority of the DI workstation's features are processed in real time.

- RAW Deliverables
- 3D Stereoscopic and DCI Mastering
- Mezzanine Formats
- Timeline & Timecode & Conforming
- EffectsSpycer®I/O toolI/O, Sync and Remote Controls

The XDVI-20s is a powerful compact cross-converter for DVI, HD-SDI and SD-SDI video. Any input can be converted to any output or scan rate.

The Senior is a purpose designed and built Digital Cinema Automation interface. Made in Australia for real world conditions the Senior is designed to communicate with Screen Management Systems, and a wide range of audio processors. The Edge Senior is housed in a 2RU enclosure which can be located within your Digital Cinema projector pedestal or Audio rack. The Senior unit is controlled via Ethernet or RS232. The front panel features manual controls to operate all commonly used functions such as Lighting and Masking. In addition a comprehensive LED display is incorporated into the unit offering users real time status monitoring and health indication of the interface. The Senior boasts 24 user configurable relay outputs, SMS GPI Port, Ethernet Port, and RS232 Port. In addition to being able to control all current Digital Cinema Processors via Ethernet (Eg QSC-DCPXXX, Dolby CP750, CP650) the unit is also designed to interface with older processors such as Dolby CP55, 65, 500 USL JSX Series Processors and Panatereo 1200 and 4200 series processors. Legacy Film support is also provided with a function routine that incorporates output relays and inputs for film cue and platter fault. A pre-programmed fire evacuation routine is incorporated into the Senior enabling the unit to integrate seamlessly into any existing automated fire evacuation systems within your cinema.

  

Edge Digital Technology introduces the new XL Commander, a motorised mount for the RealD XL Lens. This unit fixes to the bottom of the XL-Core, without the need to drill holes or modify the core.

Features:

- contact closure
- ethernet control which enables monitoring
- reversible drive mechanism that enables XL lens to be manually moved
- overload protection in the event the core jams
- simple install and setup
- lens in/out change time is approximately 7 seconds

Key features:

- 6000 ANSI Lumens bright at 90% uniformity and a 1000:1 contrast ratio.
- Native XGA resolution.
- Compatible with inputs up-to UXGA and WUXGA.
- Supports analog and digital video input in all color standards up-to 1080p.
- Durable inorganic 3-panel LCD imaging engine with a high contrast ratio.
- 10-bit color processing, for superior color reproduction.
- Optional wide-angle and telephoto lenses.
- Vertical and Horizontal power lens shift and digital keystone correction.
- Includes a full set of analog and digital computer and video inputs.
- Built-in 7 Watt amplifier and speaker system.
- Closed Caption decoding.
- Wired LAN connection for monitoring and control.
- Optional PjNET interface.
- Self-advancing cartridge air filter provides up-to 13,000 hours use.
- Centered lens with 1-button release.
- Top-accessed lamp, side-accessed filter.
- Mechanical shutter for true black screen.
- Corner keystone correction.
- Wireless/wired remote with mouse control.
- Year Projector Warranty.

Included Accessories

- Quick Start Guide.
- Owner's Manual on CD-ROM.
- AC Power Cord.
- Lens Cover.
- VGA Computer Input Cable (Dsub15-Dsub15)
- Wireless/Wired Remote with Mouse Control (with 2 AAA Batteries)
- USB Cable for Computer Mouse Control.

Optional Accessories

- Replacement Lamp.
- Wideangle, Midrange and Telephoto Lenses
- ATA-Style Shipping Case with Wheels and Telescoping Handle.
- Ceiling Mount, Ceiling Post and Plate.
- PjNET Network Interface.

Complete projection kit based on the Ernemann E12. The kit comprises the compact 35mm film projector with a lamp capacity of 3 kW and laser audio sound pick-up, an Ernemann® sidewinder with electronically controlled 5,000-m coil friction as well asa side rack. The latter is equipped with a distributor box, an electronicrectifier, a Dolby® processor CP45, CD/MP3 player, Sennheiser cordless microphone, mixer, andcompartments for accessories/spare parts. The wiring is based on quick connectors from the military field and enables the ready-to-play installation in about 15 minutes.

A flexible tube is an adjustable and temperature-resistant exhaust air tube made of aluminum. Thanks to various diameters and lengths the tubes are provided for ventilation and air conditioning of the projection equipment in a spatially sealed cabin.

The FM modulator transmits the sound of a movie via a FM radio stations into the radio of the cars during the drive-in cinemas.

Similar to stationary venues, the sound in mobile drive-in cinemas is provided in the highest quality via a VHF frequency and can thus be regulated individually on the car radio. To implement the broadcasting technology, we have a multi-frequency capable VHF broadcasting station with transmitter, antenna, and RDS encoder in stock. If desired, we will readily take care of the clearing of the local frequency for you.

It's just a few steps...

easyDCP Creator:
The last step in the field of motion pictures productions for the digital cinema is the creation of the DCP (Digital Cinema Package). The software tool easyDCP Creator offers a easy-to-handle solution for DCP creation. This tool was especially designed for small and medium-sized
production companies and post houses in order to get with only a few clicks a complete DCP in HD resolution for distribution to digital cinema screens. The software runs on a standard-PC or a MAC. EasyDCP Creator allows to create Interop and SMPTE compatible DCP's.

- Creation of Interop and SMPTE compliant DCPs
- Supported input formats: DPX, JPEG2000, TIFF, JPEG, BMP, PNG
- Supporting HD, 2k and 4k picture content

easyDCP Player:
This JPEG 2000 decoding solution is created for post production facilities and small-sized digital cinema productions. The decoding is accelerated by a Graphics Processing Unit (GPU) and provides real-time playback of 2k Digital Cinema Packages (DCP) or sequences of J2K images.

- Available for Windows and Mac
- Real-time decoding of 2k@24fps
- Due to a flexible C++ API this decoder can be integrated into other host applications, e.g. for a DCP play-out system, a DCP unwrapper or any other post production tool that needs to decompress J2K files: Just get the Fraunhofer decoder and a quick, state-of-the-art Graphical Processing Unit – that's all you need for real time playback.

easyDCP KDM Generator:
The easyDCP KDM Generator enables the creation of so called Key Delivery Messages (KDM) for digital cinemas. A KDM allows the playback of an encrypted DCP for a certain time window on a specific playback device. With this tool one can easily generate hundreds of KDMs within a single run.

The fiber optic cable is a cable, which is used as an optical waveguide in fiber optic networks for optical data transmission. As a consequence a high bandwidth over large distances is possible.

The Samsonite is a flexible and weatherproof folding chair made of a steel-plastic construction including row connectors. Because of the space-saving folding function and the simple handling the Samsonite is a reliable all-rounder for seating outdoor events such as open-air cinemas.

Ground anchors or soil nails are used for ballasting the AIRSCREEN canvases. This hot-dip galvanized steel lifting points are beaten in the ground with the pulling direction until only the metal loop can be seen. Depending on soil conditions and the size and tensile load of the canvas ground anchors of either 100 cm or 150 cm are used.

Digital cinema, compared to the conventional 35mm technology, represents a considerable simplification of the distribution and showing of films. They are usually supplied to cinemas on a handy hard disk, and that in form of a data package sized 150 to 300 GB. Such a Digital Cinema Package (DCP) is a standardized digital cinema format playable all over the world with compressed image files and sound material as well as package-specific control files for read-out and playback of the individual media contents. It is copied as a whole to a server and then decoded and enabled with a key that is separately supplied for the respective presentation.

The server on the other hand is the central unit of the D-cinema system. It plays the film and controls the projector's functions as well as the sound and light system. The read-out and processing of the DCP data as well as the interaction of all technical components is based on an internationally standardized DCI specification. Clearly defined parameters of representation such as resolution, brightness, color fidelity, or contrast make sure that the high quality of the graphical and audio material is actually conveyed through the respective technology to the cinema. And, not least, digital films are non-wearing, thus ensuring brilliant images and crystal-clear sound every time a movie is shown.

Digital movies from distributors can be exclusively played with DCI-compliant D-cinema systems, standard technology with PC and LCD projector cannot be used. This is not least due to the enable code from the distributing company, which only applies to the respective film as well as a respective playback system. Conversely, DCPs to be played with D-cinema equipment can also be created from alternative content: BIG cinema has the hard- and software available to master SD and HD material and to produce DCPs.

In view of the near future of digital cinema, the term "Higher Frame Rates" (HFR) plays a major role. For about one hundred years, projection systems have been operating at a standard frame rate of 24 pictures shown per second. Given the advancing developments in the field of movie productions, this frame rate is hardly sufficient anymore. In the field of 3-D productions in particular, rapid tracking shots or swift pan shots would cause the images on screen to blur, flicker, or tremble. The solution is to increase the frame rate to 48 or even 60 frames per second, thus extremely reducing such effects and in addition facilitating altogether more impressive 2-D and 3-D movie experiences.

Latest developments show that the technology ofhigh frame rates will become the standard soon: On the one hand, more and more directors of movies count on HFR – films to be released in the near future like"Avatar II" or "The Hobbit" were already made using this technology. On the other hand, the first solutions to make the current digital cinema equipment compatible with HFR are entering the market.

In this regard, BIG cinema is again ahead of the times and already has HFR technology available, namely the Integrated Media Block (IMB) by Doremi. Combined with the external ShowVault™ storage server (by Doremi as well), HFR film material can be played by all our Christie series 2 DLPcinema® projectors. The IMB additionally provides for the film material to be directly played with a resolution of 4K.

BIG cinema uses an infrared emitter for digital 3D projections. It generates an infrared signal and causes a synchronization of the active 3D glasses with the digital projector or any other digital display devices.

JVC LM-150 – Professional TFT-LCD Display Monitors

- High Reliability
- Full Metal Cabinet
- Robust with Metal Cabinet and stand
- Designed for 24/7 Operation
- Tough Control Keys
- Corner Protector
- Convenient Scan Mode
- Easy Control Front KeyWired Remote
- BNC Connector
- Rack Mount Capability
- CTI and LTI
- Easy Installation
- Slimmer Bezel and Square Design
- VESA100 Mounting Holes
- Screw Holes for installation
- Flush Wall Mounting Capability
- Built-In Power Supply

JVC LM-170 – Professional TFT-LCD Display Monitors

- High Reliability
- Full Metal Cabinet
- Robust with Metal Cabinet and stand
- Designed for 24/7 Operation
- Tough Control Keys
- Corner Protector
- Convenient Scan Mode
- Easy Control Front KeyWired Remote
- BNC Connector
- Rack Mount Capability
- CTI and LTI
- Easy Installation
- Slimmer Bezel and Square Design
- VESA100 Mounting Holes
- Screw Holes for installation
- Flush Wall Mounting Capability
- Built-In Power Supply

Complete 35mm projection unit FP 25 D by Kinoton with up to 7 kW lamp capacity, sidewinder with motor-driven 5,000-m coil friction and siderack with power distributor, electronic rectifier, Dolby processor CP500D, CD/MP3 player, Sennheiser cordless microphone, and mixer. The accessory case houses splicer, rewinder and other necessary things as well as spare parts such as mirrors and xenon lamp. The projector's special features include the quick installation, easy handling, excellent picture steadiness, smooth film transport, and brilliant light output of up to 7 kW.

To adjust the projection screens to different picture formats, we have various lining solutions for indoor and outdoor applications on offer.

Standard lining set

- Consists of ready-made molleton cloths and picture frames made of velvet
- Application mainly
- indoors
- Suitable for silent movies as well
- Available in an extra set made from weather-proofmaterial for outdoor events

Portable lining

- Particularly suited
- to adjust the passe-partout of the picture format immediately to the filmformat
- 5 individual, storable positions (e.g. 2.39 / 1.85 / 1.78 / 1.66 / 1.33)
- Rail system with carts and runners
- Ideal for temporary movie theater installations, film festivals, etc.
- Available up to picture size of 24 m x 10 m

The so-called Linkdecrypter Board is responsible for the encryption within the cinema projector.

Lumen is a physical unit for the light flux. Translated from Latin it means light or lamp. For the specific indication of the luminous flux of projectors the unity ANSI lumen is common. ANSI is used to prove that a projector is tested according to the standards of the American National Standards Institute. ANSI withdrew the standard, but in fact the identical standards of the International Electrotechnical Commission (IEC) and the DIN EN 61947-1 still exist.

Stage molton is a material napped on both sides. It is made of cotton or polyester and is often used as a backdrop in event technology. The material absorbs acoustic noise and is low-flammable. It is in line with DIN 4102 B1 / EN 13773-c1.

A MoveDock is a docking station for cinema disks. Therefore, delivered hard disks can directly be plugged to the server for uploading processes.

Special music stand lamps with little light scatter are an integral part of the sensitive illumination concept for indoor movie events with a live orchestra. Annoying reflections and color distortions on the screen are thus to be largely avoided.

 

- Special music stand lamps with adjustable gooseneck and halogen bulb LEDs
- Dimmable and with little light scatter
- Light spectrum akin to daylight ideal for projections
- Largely prevent reflections on screen
- We have approx. 200 lamps for you on stock
- Dry hire rental possible

Optics for digital cinema projection exist depending on the type of projectors in 1.2"´and 0.98".

Our range of products comprises various models and designs of the established and award-winning non-rewindtables by Kinoton: In addition to the classical versions of the E and M series with multiple platters, it also includes endless loop and special non-rewind systems. All models are simple to install, easy to use thanks to electronic control units, and ensure the film-friendly and reliable operation. They aresuitable for any projector type and (depending on the model) for different film materials of up to 5,000 m length.

In addition to numerous models from other well-known manufacturers, we have a considerable repertoire of projection objectives from the venerable manufacturer Schneider Kreuznach available. They are objectives (available also multiple times) from the award-winning CINELUX PREMIÈRE series with aspheric technology and iris diaphragms with focal lengths between 32.5 and 100 mm and an aperture to be continuously selected from 1:1.7 to 1:4.0. Even with the maximum aperture, the entire frame is evenly illuminated, and the level of brightness can be additionally adjusted to optimally suit different movie formats without having to change the projector settings.

  

Step into the 3D WorldTM. Watch 3D movies at home with Full HD 3D technology with the DMP-BDT310.

Original Panasonic Blu-ray DiscTM Player Product Features:

- Twin HDMI
- Quick access to the menu screen
- Incoming Ringtones
- Video Voice Mail Recording
- Auto Answering Video Message
- Full HD 3D Blu-ray DiscTM Playback
- 3D Effect Controller
- 2D-3D Conversion
- Touch-Free Sensor
- VIERA Connects You to a New World

A platform system is a proven technique for the temporary installation of mobile cinema technology indoor and outdoor. The flame-resistant aluminum construction with a wood paneling allows multifunctional applications.

Your sound — better, faster, and easier than ever. Your dedication deserves the best tools available. Introducing Pro Tools 10, the next generation of the best sounding, most powerful audio production software for recording, composing, editing, and mixing music and sound for picture.

- Get all of the same great new features in Pro Tools 10 software
- Create way bigger mixes, with up to 768 voiceable audio tracks and 512 aux tracks
- Get highly responsive recording and playback performance with the extended disk cache, which loads entire sessions into RAM (watch the video A & video B).
- Connect with up to 12 Pro Tools HD-based systems using Satellite Link
- Get improved workflows for field recorders
- Control two Pro Tools HD-based systems with a D-Command console in Multi-mode
- Get more tracks and streaming support when using Avid ISIS

Mobile cinema on four wheels – we rent fully air-conditioned, completely equipped, and ready-to-operate projection trailers, optionally equipped with 35mm or D-Cinema projection equipment, sound system, and various accessories.

Our fully air-conditioned projection trailer is the particularly flexible solution for mobile open-air movie and media events. If desired, it is completely equipped with a high-capacity 35mm projector including 5,000 m non-rewind table and Dolby® Kinoton technology or with a 2K or 4K digital film projector and the appropriate server. The facilities furthermore include a digital mixer as well as a customizable configuration with various media players and microphones. The system is ready to operate and height-adjustable up to onemeter as a whole.

The mobile projection booth for open-air movie events protects the equipment against wind and weather and unauthorized access.

- Compact and robust container construction
- Lockable door
- Two trap windows
- Air condition

Our projection pagoda has a size of 3 x 3m and a maximum height of 2,26m. The construction consists of anodized aluminum sections, which are joined with galvanized steel inserts. The pagoda is secured by soil nails or anchor weights. The tarp of the pagoda is made of coated PVC fabric in the color RAL 5002. All sides of the pagoda can be opened. The side tarps are equipped with a centered zipper or a projection window.

The projection pagoda can be fully assembled by four people within only 30 minutes.

Advantages:

• premium and classic look
• flexible setup which can accomodate uneven or curved surfaces like at the Open-air cinema in the garden of the Städel Museum in Frankfurt
• relatively low weight, thus suited for surfaces with low maximum point loads

A pylon is a cone-shaped and red/white striped barrier item. Besides the usage on public roads for short-term warning and protection of accident sites BIG cinema uses the traffic cone especially in the area of drive-in cinemas to mark tramlines or parking bays.

The Remote Access Box is a web-enabled monitoring unit for the projection equipment. Therefore BIG cinema is able to switch on remotely to the system to generate error analysis and troubleshooting.

Soil nails or ground anchors are used for ballasting the AIRSCREEN canvases. This hot-dip galvanized steel lifting points are beaten in the ground with the pulling direction until only the metal loop can be seen. Depending on soil conditions and the size and tensile load of the canvas ground anchors of either 100 cm or 150 cm are used.

With regard to textiles and screens, we rely on the high-quality products made by Gerriets. With the models from the OPERA® and SCENE series, we have the classical opaque as well as micro-perforated, sound-permeablefront projection screens in different sizes on offer - eyed or not eyed. Furthermore we do have several silver screens for 3D projections with polarisation (e.g. HARKNESS).

Standard sizes available:

6,00 m x 4,50 m
6,50 m x 3,70 m
8,00 m x 6,00 m
9,00 m x 5,00 m
12,0 m x 5,15 m
12,0 m x 6,00 m
20,0 m x 8,50 m
24,0 m x 10,00 m

Further sizes available on request.

Samsung SyncMaster – S23A700D 3D-LED-Monitor

Extremely Lifelike Colors

Samsung's top of the line panel creates extraordinarily lifelike images, in both 2D and 3D. Technologies like Ultra Clear Panel and 100% Photo Accuracy take color vibrancy and accuracy to the next level.

1080p Resolution in 2D and 3D

Unlike passive 3D technologies, which cut the resolution in half, Samsung's technology allows you to see every detail in Full 1080p HD.

Eco Sensors for Unparalleled Convenience

The Eco Motion Sensor automatically turns the monitor on and off as you come and go. The Eco Light Sensor automatically adjusts the brightness to match the room lighting, reducing eye strain.

See the next level with the 3D HyperReal Engine

Samsung achieves the very highest standard in 3D entertainment with its 3D HyperReal Engine. It is a brain-like technology that allows the SA700 series to control color, contrast, 3D effects and motion for mind-blowing results. Full HD.

A Brighter 3D Experience

Don't like wearing sunglasses indoors? Samsung's 3D monitor glasses let twice as much ambient light through as competing technology. Because Samsung built all parts of this 3D experience, it optimized thecoordination of the panel backlight and glasses shutter. The result isthat the glasses shutter is open more of the time, and you'll have a more comfortable viewing experience.

Optimize your viewing experience with Eco Light Sensor

Take the strain out of watching images on your monitor with Samsung's Eco Light Sensor. The Eco Light Sensor automatically adjusts the brightness of the Samsung LED Monitor by measuring the intensity of the light within the room. By controlling the amount of light used to create its images, the SA700 series reduces eye strain while being extremely energy efficient. Plus, the Eco Light Sensor provides up to nine adjustable sensitivity and brightness settings so you can enjoy alighting environment that's most comfortable for you.

The SPT 5000 K is a stable and robust spool tower by Kinoton for film spools containing up to 5,000 m film, which is equipped withan electronically controlled friction motor for constant low film tension. The device is suitable for all 35mm projectors, space saving, easy to install and simple to operate with automatic stop after rewind, and a high, variable rewind speed.

Manfrotto is a company of Italian origin, which develops, produces and markets worldwide diverse accessories for the professional photographic, film, theater and video industry. Due to the expertise, quality and the pursuit of continuous innovation Manfrotto is for BIG cinema the first choice when it comes to tripod kits and head kits of any kind. Depending on the material, weight, dimension and load capacity BIG cinema decides on the appropriate tripod.

The Tascam DV-D01U is a rack-mountable disc player capable of reading and playing a wide variety of file formats, including DVD, DVD Audio, CD-DA, Mp3, WMA, WAV, DivX, MPEG-2, and more! Most importantly is a RS-232 interface, allowing the unit to be controlled remotely in a studio environment.

Inputs/Outputs:

- Composite Video: RCA (x1 Output), Component Video: RCA (x1 Output), S-Video: 4-Pin Mini DIN (x1 Output), Analog Audio L/R: RCA (x1 Output), Digital Audio: Optical PCM/Stream (x1 Output), HDMI (x1 Output)
- Remote: RS-232C: 9-Pin IR Remote
- Dimensions: 1RU

The MX-2424 is a professional 24 track, 24 bit hard disk recorder. The MX-2424 delivers the convenience, power and reliability of a dedicated multitrack, yet still offers the sophistication of a DAW.

Helpful Live Sound/Install Functions:
Theater Mode (Pauses at Locate Points)
Power-Up Play (Plays Song When Powered On)

DAW-like Features:
Built-In 9GB Drive (Offers 45 Minutes of Record Time)
Front Panel Drive Bay and Rear Panel SCSI Port
Standard Mac/PC Drive Formats (Fat32, HFS & HFS+)
Standard Audio File Formats (SDII & Broadcast WAV)
MX-View GUI (MacOS 9.1 & 9.2, Win 98SE/ME/2000/XP)
100Mbit Ethernet (Used for GUI & Audio Transfers)

Modular Multitrack-like Features:
Front Panel LED Matrix (Displays Key Project Settings)
24 Tracks at 44.1kHz or 48kHz, 16 or 24 bit
12 Tracks at 88.2kHz or 96kHz, 16 or 24 bit
2 Channel AES/EBU and SPDIF Coax Digital I/OControl/Sync:
32 Machine Sample Accurate Lock (via TL-BUS)
Sony P2 9-pin Control (RS-422 on Remote Port)
MMC Control Formats
Generate & Chase Time Code (SMPTE & MTC)Word Sync (In/Out/Thru)Video Sync (In/Thru)

Options:
RC-2424 Remote (Controls up to 6 MX-2424s)
DVD-RAM Back-Up Solutions (9.4GB/disc)
24ch Balanced Analog I/O (IF-AN24)
24ch TDIF Digital I/O (IF-TD24)
24ch Lightpipe Digital I/O (IF-AD24)
24ch AES/EBU Digital I/O (IF-AE24)

AAM’s Theatre Management System – Screenwriter – is designed to unlock the real benefits of digital cinema.

Screenwriter features include:

- One-click content and KDM management
- Intuitive playlist creation and scheduling
- Intelligent CPL selection
- Automated pre-show management
- Greatly enhanced advertising capabilities

A truss is a modular system of framework girders made of aluminum or steel, which is often used in event business. These carriers are used to take different loads such as a VARIO 64 canvas of AV Stumpfl®.

In addition to inflatable AIRSCREENS® and the VARIO modular block frame systems by AV Stumpfl®, we also use Layher and Eurotruss truss systems as carrier constructions for screens. These standardized truss systems can be used flexibly and integrated as screen carrier modules without difficulty into already mounted stage or trade fair aswell as rigging constructions.

In addition to inflatable AIRSCREENS® and the VARIO modular block frame systems by AV Stumpfl®, we also use Layher and Eurotruss truss systems as carrier constructions for screens. These standardized truss systems can be used flexibly and integrated as screen carrier modules without difficulty into already mounted stage or trade fair aswell as rigging constructions.

In the field of mobile cinema, the use of D-cinema technology is not a question of faith or a decision on a supposedly better or worse technology either - we have state-of-the-art projection equipment available for both systems. It is much more important, what you intend to show eventually and in which form the material is available. We are currently in a period of transition in which 35mm and digital cinema are still coexisting. The tendency is clearly towards a comprehensive digitalization. Even today, more and more motion pictures are exclusively distributed in digital form.

Digital cinema has without doubt at least the same quality as 35mm material, it is mostly of a higher quality and more practicable though. Several heavy film reels with a length of 600m are replaced by a handy hard disk, which can be reused as often as you like. The film itself is played smoothly, can not crack and worn by the mechanical stress of the playback. Digital film material is produced, stored, and also played back with a resolution of 2k or 4k, i.e. with a horizontal pixel count of 2048 or 4096. To be able to actually see the individual pixels having only a size of a few millimeters, you would have to stand directly in front of the screen. In case of conventional film material, usually only a bit more than 1000 lines are shown on screen, which, translated into digital language, corresponds to a resolution of approximately 1 to 1.3k.

D-cinema systems have interfaces compatible with alternative playback media like laptops, hard disks, and players for DVD, Blu-ray, or HDCAM SR. This makes, in contrast to the 35-mm projection technology, the use of additional LCD projectors unnecessary, alternative digital material thus is projected onto the screen by one and the same system.

A wireless microphone is a cordless microphone, which is usually in action during presentations prior to the movie.

The water barrels in sizes 500 liters and 1,000 liters are used for ballasting the canvas. In particular, when soil nails are impossible, water barrels are called into action. The necessary water volume is determined by the screen size, the terrain and the wind conditions.

Digital 3D – get all from one source at BIG cinema:

We offer the active 3D system by XpanD for sale and rent. This system's advantage is the premium 3D effect when using the normal matt white screen (without the extra silver screen) in combination with the IR controlled shutterglasses.

The pros at one glance:

- No expensive silver screen required
- Perfect 3-D effect and pleasure without much loss of brightness on seats that are not in the center
- No "ghosting" effect thanks to the shutter glasses, therefore no headache
- Particularly suitable for flexible use, e.g. short-term use in "normal" cinemafor premieres, road-shows, or open air events!
- Picture dimensions of up to 24 m width are possible with our Christie CP4230 projector!
- Less loss of light than with the Dolby system
- Can be extremely easily implemented in available 2-D infrastructure (installationand instruction approx. 1 hour)
- Modern design andincreased functionality (easy battery replacement, replacement ear pieces)

BIG cinema provides the comprehensive 3-D support:

- System hardware (IR control, wiring, glasses)
- System installation
- Hygiene equipment
- Technical & logistic support (packaging, transport cases)
- Workflow support
- Full range of service from technical installation to hostess service including handling of glasses

Yamaha's flagship digital mixing consoles are the accepted standards throughout the world: the awesome PM1D for sound reinforcement, broadcast, and theater; the DM2000, DM1000, and 02R96 for sound and music production. Now the 01V96 brings you the same performance and reliability in a smaller, more affordable format that's perfect for the home or smaller professional production studio. Still, it has a maximum 40-channel input capacity and can be cascaded for applications that require more. And, of course, 24-bit/96-kHz operation is standard. Mixer functions and effects are all inherited from the top-of-the-line DM2000, so you know you're getting the best. Prepare to be amazed at how far Yamaha digital evolution has come. If you thought that cutting-edge digital mixing and processing performance was still beyond reach, here is a very good reason to smile.

- Cutting-edge Performance, Capacity, Control & Compatibility
- 24-bit/96-kHz Performance Takes Digital Sound To the Next Level
- 24 Analog & Digital Channel Inputs ... Expandable to 4020-bus Configuration
- Built-in ADAT Optical Interface
- Fast, Flexible Digital Patching
- 99-Scene Memory
- Integrated DAW Control
- Internal Effects Fully Support 96-kHz Processing
- Top-quality Compression, Gating, EQ and Delay
- Expandable Data Libraries
- 01V96 Cascade Link
- Surround Panning
- Surround Panning
- Studio Manager Software Supplied
- Refined User Interface
- Large LCD Panel
- Channel Strips With Precision 100-mm Motor Faders
- Layer-switching For Fast 32-channel + Aux/Bus Fader Access
- Fader Mode
- Display Access
- Selected Channel Controls
- Scene Memory
- User Defined Keys
- Data Entry
- Analog Input Section
- Rear Panel

The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.

- Lightweight and Compact for Superior Portability and Handling
- Choose the Model that Suits Your Needs
- No-compromise Analog Circuit Design Delivers the Best Sound in this Class
- Intuitive Interface
- 16 or 32 Mono Input Channels Plus 4 Stereo Input Channels expandable up to 32 or 64 channels in Two Layers
- Extensive Channel Functionality
- 16 Mix Buses, 8 Matrix Buses, Plus Stereo and Mono Buses with LCR Mode
- Virtual Rack with Top-quality Effects
- Recall Safe and Recall Focus...Right Down to Head Amp Gain
- USB Memory Recorder/Player for Convenient Recording and BGM or Effect Playback
- Detailed Access Management
- LS9 Editor Software for Enhanced Operability and Programmability